| |
|
|
|
|
| |
|
|
|
|
| |
|
Hier findet ihr einen Überblick des Equipments der Akademie. Die Bilder sind in unserem Studio entstanden. |
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
KAMERAS |
|
|
| |
|
|
|
|
| |
|
 |
|
|
| |
|
|
|
|
| |
|
|
Canon EOS 5D Mark II - Full HD |
|
|
| |
|
|
|
|
| |
|
| |
Canon EOS 5D Mk II Body mit |
|
Canon EF Fisheye |
15 mm |
1 : 2.8 |
|
| |
Full-HD-Auflösung (1.920 x 1.080) |
|
Canon EF |
28 mm |
1 : 2.8 |
|
| |
Arri Mattebox |
|
Canon EF |
35 mm |
1 : 2.0 |
|
| |
Chrosziel Leichtschärfe |
|
Canon EF |
50 mm |
1 : 1.8 |
|
| |
Zacuto Baseplate |
|
Canon EF IS USM |
70- 200 mm |
1 : 4.0 |
|
| |
Zacuto V-Mount Battery Plate |
|
|
|
| |
Zacuto Large American Arm |
|
|
|
|
|
| |
Zacuto Double Mount |
|
|
|
|
|
| |
Manfrotto Schnellspannplatte |
|
|
|
|
|
| |
Zacuto Zmount, Zicro, Zano |
|
|
|
|
|
| |
Swit 7" HDMI Monitor |
|
|
|
|
|
| |
Swit V-Mount Akkus |
|
|
|
|
|
| |
Cinevate Handgriffe |
|
|
|
|
|
| |
Sachtler 7x7 Stativ, Fluidhead |
|
|
|
|
|
| |
Fotodiox Canon -> Nikon Mountadapter |
|
|
|
|
|
| |
|
|
|
|
|
| |
|
|
|
|
|
| |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |
|
 |
|
|
| |
|
|
|
|
| |
|
|
Arriflex SR II - 16mm |
|
|
| |
|
|
|
|
| |
|
| |
Arri Mattebox |
|
Zeiss Vario Sonnar |
10-100 mm |
1 : 2.0 |
|
| |
Chrosziel Leichtschärfe |
|
Angenieux |
12-240 mm |
1 : 3.5 |
|
| |
Leichtstützen |
|
Zeiss Distagon |
50 mm |
1 : 2.0 |
|
| |
Handgriff |
|
Zeiss Distagon |
25 mm |
1 : 2.0 |
|
| |
Schulterstativ |
|
Zeiss Distagon |
8 mm |
1 : 2.0 |
|
| |
Sachtler Fluid - Head Profistativ |
|
Kinooptik ParisTegea |
5,7 mm |
1 : 1.8 |
|
| |
Arri VSU 5 - 75 Bilder / Sek. |
|
|
|
|
|
| |
Visual Products Farbvideoauspielung |
|
|
|
|
|
| |
JVC TM - H150C Kontrollmonitor |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
LICHT |
|
|
| |
|
|
|
|
| |
|
 |
|
|
| |
|
|
|
|
| |
|
|
20.000 Watt Licht |
|
|
| |
|
| |
|
|
|
|
| |
1 x 650 W Fresnel Hardcase Kit
5 x 1000 W PAR 64
3 x 2000 W Fresnel
3 x 2000 W Blondie |
|
2 x Flolight XT / 4 x 55 W / 4 feet Chimera
daylight / tungsten |
|
| |
|
3 x Flolight / 4 x 55 W / 2 feet Chimera
daylight / tungsten |
|
| |
|
|
1 x Flolight XT / 4 x 55 W / 2 feet Chimera
daylight / tungsten |
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
TON |
|
|
| |
|
 |
|
|
| |
|
|
|
|
| |
|
|
Fostex FR-2 PCMCIA Recorder |
|
|
| |
|
|
|
|
| |
|
| |
24 Bit/192 kHz - Wandler |
|
Sennheiser HD25-II Kopfhörer |
|
| |
Zeichnet auf Compact Flash Card oder PCMCIA HD Type II auf |
|
Rode NTG-1 Richtmikrophon |
|
| Rode Blimp |
| |
Zwei symmetrische Mikrofon-/ Lineeingänge |
|
Rode Boom 2,0 m |
|
| |
Trittschallfilter @ 100 Hz zuschaltbar |
|
Rode Boom 3,30 m |
|
| |
Limiter zuschaltbar |
|
|
|
| |
-100 dB Dynamikumfang |
|
|
|
| |
Zwei analoge Lineausgänge (Cinch) |
|
|
|
| |
Digital I/O (AES/EBU oder S/P DIF) |
|
|
|
| |
Stereo oder Mono in BWF-Format |
|
|
|
| |
individuelle Benennung der Files (auch über USB-Tastatur) |
|
|
|
| |
Pre-Record-Buffer (bis 20 sec.) |
|
|
|
| |
|
|
|
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
|
|
|
| |
|
SCHNITT |
|
|
| |
|
 |
|
|
| |
|
|
|
|
| |
|
|
Apple MacPro 8 Core II Final Cut Pro 2K Schnittsystem |
|
|
| |
|
|
|
|
| |
|
| |
2,66GHz 8 Core Prozessor |
|
Apple Final Cut Studio 3
|
|
| |
8 Gigabyte RAM |
|
- Final Cut Pro 7 für den Schnitt |
|
| |
640 Gigabyte System |
|
- Motion 3 für Grafiken und Animationen |
|
| 3 Terrabyte Raid |
| |
Nvidia Geforce GT 120 512 MB |
|
- Soundtrack Pro 2 für die Audionachbearbeitung |
|
| Apple Final Cut Pro Tastatur |
| |
2 x Samsung 19" Syncmaster TFT 943NW |
|
- Color für die Farbkorrektur |
|
| |
Sony LMD 1750W Referenzmonitor mit |
|
- Compressor und DVD Studio 4 für die digitale Bereitstellung in |
|
| BKM 243HS und SU 561 |
| Blackmagic Decklink HD Extreme 3 uncompressed video capture card |
nahezu allen Formaten |
| |
| Yamaha MG 102C Mischpult |
|
| Genelec 6010 APM Aktivlautsprecher |
|
| |
|
|
|
|
| |
|
|
|
|
|
|
|