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Equipment |
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Our equipment will be used during the whole duration of the course - not only while shooting.
We have the contacts & local knowledge to provide contacts and support if you require additional specialist equipment from a host of local rental agencies here in Berlin. |
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Cameras and Support |
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Canon EOS 5D Mark II Body with Canons top-of-the-range L-Series Prime Lens Setup, professional grade supporting technology by Arri / Zacuto / Chrosziel and HD field monitors by Sony / SmallHD |
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Canon EF L II |
14 mm |
1 : 2.8 |
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Canon EF L II |
24 mm |
1 : 1.4 |
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| Canon EF L I |
35 mm |
1 : 1.4 |
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| Canon EF L I |
50 mm |
1 : 1.2 |
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| Canon EF L II |
85 mm |
1 : 1.2 |
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| Sony LMD 1750 W |
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| Color correct 17" multiformat HD-LCD Monitor with a wide range of in- and output options and flightcase for on-location durability |
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SmallHD DP6-SLR HD SDI |
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| 5,6" HDMI / SDI / Composite on-camera monitor especially manufactured and optimized for the use with DSLR cameras |
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Arriflex SR II - 16mm Body |
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Arri Mattebox |
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Zeiss Vario Sonnar |
10-100 mm |
1 : 2.0 |
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Chrosziel Leichtschärfe |
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Angenieux |
12-240 mm |
1 : 3.5 |
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Leichtstützen |
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Zeiss Distagon |
50 mm |
1 : 2.0 |
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Handgriff |
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Zeiss Distagon |
25 mm |
1 : 2.0 |
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Schulterstativ |
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Zeiss Distagon |
8 mm |
1 : 2.0 |
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Sachtler Fluid - Head Profistativ |
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Kinooptik ParisTegea |
5,7 mm |
1 : 1.8 |
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Arri VSU 5 - 75 Bilder / Sek. |
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Visual Products Farbvideoauspielung |
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JVC TM - H150C Kontrollmonitor |
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Lighting |
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20.000 Watt Lighting |
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1 x 650 W Fresnel Hardcase Kit
5 x 1000 W PAR 64
3 x 2000 W Fresnel
3 x 2000 W Blondie |
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2 x Flolight XT / 4 x 55 W / 4 feet Chimera
daylight / tungsten |
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3 x Flolight / 4 x 55 W / 2 feet Chimera
daylight / tungsten |
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1 x Flolight XT / 4 x 55 W / 2 feet Chimera
daylight / tungsten |
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Recording |
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Fostex FR-2 PCMCIA Recorder |
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24 Bit/192 kHz - Wandler |
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Sennheiser HD25-II Kopfhörer |
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Zeichnet auf Compact Flash Card oder PCMCIA HD Type II auf |
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Rode NTG-1 Richtmikrophon |
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| Rode Blimp |
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Zwei symmetrische Mikrofon-/ Lineeingänge |
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Rode Boom 2,0 m |
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Trittschallfilter @ 100 Hz zuschaltbar |
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Rode Boom 3,30 m |
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Limiter zuschaltbar |
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-100 dB Dynamikumfang |
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Zwei analoge Lineausgänge (Cinch) |
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Digital I/O (AES/EBU oder S/P DIF) |
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Stereo oder Mono in BWF-Format |
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individuelle Benennung der Files (auch über USB-Tastatur) |
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Pre-Record-Buffer (bis 20 sec.) |
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Postproduction |
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Apple 2K Workstation |
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2,66GHz 8 Core Prozessor |
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Apple Final Cut Studio 3
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8 Gigabyte RAM |
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- Final Cut Pro 7 für den Schnitt |
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640 Gigabyte System |
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- Motion 3 für Grafiken und Animationen |
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| 3 Terrabyte Raid |
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Nvidia Geforce GT 120 512 MB |
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- Soundtrack Pro 2 für die Audionachbearbeitung |
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| Apple Final Cut Pro Tastatur |
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2 x Samsung 19" Syncmaster TFT 943NW |
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- Color für die Farbkorrektur |
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Sony LMD 1750W Referenzmonitor mit |
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- Compressor und DVD Studio 4 für die digitale Bereitstellung in |
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| BKM 243HS und SU 561 |
| Blackmagic Decklink HD Extreme 3 uncompressed video capture card |
nahezu allen Formaten |
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| Yamaha MG 102C Mischpult |
NEW! Adobe Production Premium Package - more info here |
| Genelec 6010 APM Aktivlautsprecher |
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